Introduction

Tucked into a quiet forest park on Chongming Island, Chongming frames a view of a canal and a small alluvial landform that mirrors the island itself. This lens reflects the constant interplay of land and water, inviting viewers to contemplate the delicate balance of nature and the forces that shape it.

Site & Placement

The lens is hidden along a forest path, directing attention to the canal’s subtle currents and the land it divides. The bench, situated 12 feet from the lens, encourages visitors to pause and immerse themselves in the tranquil rhythm of the scene.

Impermanence & Integration

As an alluvial island shaped by shifting waters, Chongming is a fitting location for this ephemeral lens. Constructed from branches, the lens will eventually return to the land, echoing the natural processes that formed the island and continue to shape it.

Reflection

Chongming offers a meditative space to reflect on the impermanence of land and the forces that transform it. The work’s fleeting existence underscores the beauty of change, inviting viewers to appreciate the subtle, ongoing dance of nature.

Photos

More from the 'Earth Lens' Series:

Earth Lens Series: Artist Statement + List of Works

"Looking Glass" (Earth Lens 001)

"Folsom" (Earth Lens 002)

"Sanctuary" (Earth Lens 003)

"Platte" (Earth Lens 004)

"Grandfather" (Earth Lens 005)

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All images are credit of Hes, but you are free to download and use for any purpose. If you find joy from my art, please feel free to send a zap. Enjoy life on a Bitcoin standard.

Introduction

Situated on Myanmar’s Grandfather Beach, this lens captures the dramatic shape of a steep, rocky hill that mirrors the arduous road leading to this remote location. Grandfather invites viewers to reflect on the connection between journey and destination, highlighting the tension and beauty of paths less traveled.

Site & Placement

The lens is positioned at the west end of the beach, focusing on the sharp hill rising above the shoreline. Its teardrop shape accentuates the rocky prominence, emphasizing its similarity to the road that winds toward the beach. A bench, placed 12 feet away, provides a place for viewers to absorb the rugged beauty of the scene.

Impermanence & Integration

Crafted from driftwood, branches, and stone, Grandfather is a fleeting presence in this timeless landscape. Its brief existence reflects the challenges and ephemerality of the journey it highlights, blending into the environment as it gradually succumbs to the elements.

Reflection

Grandfather invites viewers to consider the parallels between the physical journey to reach the beach and life’s broader paths. It stands as a reminder that even the most challenging routes can lead to moments of profound beauty.

Photos

More from the 'Earth Lens' Series:

Earth Lens Series: Artist Statement + List of Works

"Looking Glass" (Earth Lens 001)

"Folsom" (Earth Lens 002)

"Sanctuary" (Earth Lens 003)

"Platte" (Earth Lens 004)

COMING SOON: "Chongming" (Earth Lens 006)

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All images are credit of Hes, but you are free to download and use for any purpose. If you find joy from my art, please feel free to send a zap. Enjoy life on a Bitcoin standard.

Introduction

Platte captures a tranquil bend of the South Platte River, where the steady flow of water meets the rugged backdrop of Waterton Canyon. This lens offers a moment of respite, encouraging visitors to step away from the river’s busy recreational activities and focus on the quiet beauty of this secluded scene.

Site & Placement

Positioned on the west bank of the South Platte River, the lens directs attention to the water’s gentle curves and the canyon rising in the background. A bench placed 12 feet away provides the perfect spot for reflection, emphasizing the interplay of movement and stillness in the landscape.

Impermanence & Integration

The lens, constructed from branches and stone, mirrors the ever-changing nature of the river itself. As it stands, it frames a single moment within the flow of time, but its materials will soon be reclaimed by the earth, echoing the river’s constant reshaping of the land.

Reflection

Platte invites viewers to contemplate the river’s journey—its constancy in motion and its quiet persistence. The work becomes a metaphor for life’s flow, urging us to find beauty in the transient and the enduring alike.

Photos

More from the 'Earth Lens' Series:

Earth Lens Series: Artist Statement + List of Works

"Looking Glass" (Earth Lens 001)

"Folsom" (Earth Lens 002)

"Sanctuary" (Earth Lens 003)

COMING SOON: "Grandfather" (Earth Lens 005)

COMING SOON: "Chongming" (Earth Lens 006)

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All images are credit of Hes, but you are free to download and use for any purpose. If you find joy from my art, please feel free to send a zap. Enjoy life on a Bitcoin standard.

This project was exhibited in 2015 in Boulder, Colorado.

Artist Statement

“A Line Made By Walking” (2015) is a site-specific piece created in Boulder, CO, where my body weight etched a temporary line into the earth. This work pays homage to Richard Long’s seminal 1967 piece, where a simple act of walking through the landscape left a profound trace. In my version, the line created by my movement forces the viewer to engage with the impermanence of human intervention on the land. The project prompts a reflection on the subtle yet lasting impacts we have on the environment, even through seemingly minimal actions.

As part of my larger “Rockway” project, this case study explores the concept of ‘line’ in both literal and metaphorical ways. The line is not just a physical mark, but also a representation of time, movement, and the dialogue between the body and the land. Walking, in this context, becomes a way of marking time—an act that is as ephemeral as the mark it leaves behind. The work questions the tension between permanence and transience, asking the viewer to consider how we interact with the land, both intentionally and unknowingly, and how those interactions leave traces that may soon fade but never completely disappear.

Photos

More Land Art:

Earth Lens Series

"Looking Glass"

"Het Bonhe"

"Rockway"

"Invasive"

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All images are credit of Hes, but you are free to download and use for any purpose. If you find joy from my art, please feel free to send a zap. Enjoy life on a Bitcoin standard.

(Box) pallet, pallet wood, spray paint, nails [48” x 24” x 24”]

This project was first presented in 2016 in Boulder, Colorado. Prints available on request.

Artist Statement

Quarantine: Examining the Impact of Globalization

“Quarantine” examines one node in the complex network of human globalization. The work reflects on the repercussions of global trade and encourages discussion about the benefits - and tradeoffs - that globalization has brought the human species.

At the core of the project lies the Emerald Ash Borer (EAB), an invasive insect that has left a trail of devastation across millions of ash trees in the United States. Native to Asia, the EAB hitchhiked its way onto American soil through wooden packing materials. It made its debut in Boulder in 2013 - threatening the existence of nearly 100,000 ash trees in the area. To curb further spread, the federal government imposed a quarantine on all ash wood from affected regions.

As one contemplates the interplay between the various elements of the piece, they should aim to explore their own moral frameworks and seek to dive deeper into questions on progress, connection, and preservation.

“Quarantine” is presented through two elements, each narrating a unique chapter of this ecological saga:

The ash wood panel aims to mimic the characteristics of the EAB’s destruction. The panel is adorned with a font that mimics the signs of infestation and illustrates the relentless assault this tiny creature is causing.

The text is rendered in midnight black, creating a deliberate contrast to that of which it lies—a dialogue between organic and artificial. The word “Quarantine” is displayed as the focal point of the panel to demonstrate a literal interpretation of ‘quarantine on ash’. As viewers engage with the panel they confront the dual forces. Nature’s vulnerabilities and humanity’s impact.

The box stands as a tangible representation of the method of infestation. It symbolizes not only containment, but also the globalized trade that facilitated the EAB’s journey in the first place. Its worn and gritty appearance mirrors the ecological (and economic) damages caused by this innocuous-seeming insect. On one side of the box, a bright red symbol hints at a potential warning to the destination of the ill-fated crate. The top reads 'destruction' in all bold caps. Something feels off.

Globalization, while propelling forward incredible human progress and prosperity, has also created undeniable disruptions to ecosystems and biodiversity around the globe. The EAB saga serves as just one case study into the larger topic at hand, revealing the unintended consequences of our interconnected world.

Additional Photos

Other Sculptures by Hes

Organimetal [2015]

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All images are credit of Hes, but you are free to download and use for any purpose. If you find joy from my art, please feel free to send a zap. Enjoy life on a Bitcoin standard.

(Macro) "St. Louis" // photo collage on foam board [16" x 20"]

This project was first presented in 2016, as a diptych installation at the group exhibition, "There to Here: Investigative Topographies from Land and Environmental Art" in Boulder, Colorado. Images remain property of Hes, but prints can be purchased via DM.

Artist Statement

Rockway: A Reflection on Roads and Nature

“Rockway” examines the concept of Micro v. Macro through the central theme of line; acting as a reflection on ideas of movement and connectivity in today's world. A line, simply defined as the connection between two points, takes on a profound new meaning in our urban landscape. The roads we have constructed, like arteries of the land, connect us to vast possibility. What happens when human progress and creation intersect with the natural world, and what role does that play in our lives?

Boulder Creek (pictured above) explores this intersection at the micro-level, focusing heavily on the delicate balance between humans and their environment. Stumbling upon the nearly 160-foot earthwork presents the viewer with an unnatural line, composed of stones, meandering through the pristine natural landscape. It evokes the winding roads through the mountains nearby one takes to get here- a stark contrast against the wilderness where it sits.

The earthwork employs a singular free-flowing, curvilinear line, representing a departure from the rigid angles of the surrounding landscape. This choice symbolizes more than just movement. It delves into the relationship between the towering skyscrapers, flowing highways, and gridded cities we inhabit. As the eye follows the work from start to finish, it encounters straight lines—those of trees and rocks—interrupting the flow, much like the complex highway systems and cities we build to connect ourselves around the globe.

St. Louis (pictured above) explores the concept of line at the macro-level. In this piece, movement remains a central theme, but the intent shifts. The collage aims to create an unrealistic, yet harmonious, urban highway system. Lines intersect, diverge, and rejoin in nearly impossible ways; calling into question what exactly our future might look like. Each line signifies the movement of humans—from place to place, from birth to departure.

The city of St. Louis holds personal significance. It’s my birthplace, my starting point. The curved form of the line embodies movement and fluidity, echoing my own journey. Highways connect us to places, people, and experiences. They weave our stories, even as they reshape the landscape.

Step back, and the piece appears a unified whole. But lean in and scrutinize the details, and you’ll discover individual clippings and rigid overlaps from the satellite photos it is composed of. Each stone and curve. Each road and line — force us to consider the tale of movement, connection, and balance. "Rockway" invites us step back and dig deeper into the connections we [ourselves] hold with the land; and what responsibility we [as a whole] have in encouraging continued prosperity, while maintaining the delicate balance holding it all together.

Additional Photos

More Land Art

Invasive (Site/Non-Site) - [2016]

Quarantine - [2016]

Earth Lens Series - [2016-Present]

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Originally published in 2016 by Hes. Republished at habla.news/u/hes@nostrplebs.com/1708400183541 on 2/19/2024.