Why is Skiing So D*mn Expensive?

Skiers have been complaining about the rising cost of the sport for as long as I can remember. Skiing has always been a beloved winter pastime, but the rising cost of the sport is pricing many out of the slopes.

Single-day tickets that once cost just a few dollars, now exceed well over $300, leaving skiers wondering why their favorite hobby has become so unattainable.

[Figure 1]: Article from 1981 complaining about $20 lift tickets

Whether you’re a weekend warrior on a budget, or an out-of-state enthusiast with a family of five, the perception of snow sports as an increasingly exclusive activity is widespread.

I share the frustrations of the masses, but arrive at a different root cause than most. Media outlets, seasonal workers, and ski-bums point the finger at a host of reasons such as corporate greed, rising operational costs, and increased participation as the driver behind the price hikes.

While these factors may hold some merit, they fail to explain the true underlying cause of rising prices:

the erosion of purchasing power due to inflation, and the mechanics of central banking at large.

Let's dive down the money rabbit hole, and go on an exploration of how monetary policy, inflation, and economic forces intersect, to examine the real reason behind the "increasing cost" of skiing and snowboarding.

The Conventional Narrative

[Figure 2]: Retro ski tickets displayed in the Colorado Snowsports Museum

Articles and news reports across ski and lifestyle publications have highlighted the upward trajectory of skiing costs and proposed various culprits:

• Greedy Corporations: Corporations like Vail Resorts are often accused of prioritizing profit over affordability. Worker strikes and participant boycotts have become more common over time. While corporate consolidation is a valid concern, these companies are simply responding to incentives created by the current monetary system. The detailed reasons behind this dynamic, including the role of cheap credit, are explored further in following sections.

• Fancier Equipment and Infrastructure: Some point to rising costs from state-of-the-art gondolas, high-speed lifts, and luxurious on-mountain dining. Although such advancements enhance the experience, they overshadow the efficiency gains that these technologies bring.

• Growing Participation: Others argue that increasing demand, fueled by newcomers to the sport, has led to "pricing out" middle-class skiers. However, many resorts have expanded capacity with more skiable terrain, larger parking lots, and higher, capacity lifts, mitigating this strain.

These explanations seem reasonable at face value, but they fail to account for a crucial piece of the puzzle: the monetary system itself.

Let me explain.

Measuring Costs in M2 Money Supply

To understand how skiing costs have changed over time, we must measure them against the M2 money supply, a broad measure of circulating money that includes cash, checking deposits, and easily convertible near money.

[Figure 3]: An Aspen lift ticket from March 23, 1948.

This comparison is like adjusting the lines on a ruler to account for it's ever growing expansion; it allows us to see the real scale of changes over time.

By adjusting for M2, we separate the effects of monetary expansion- which drives up nominal prices; from other factors, providing a clearer picture of real price trends.

When viewed in this way, the cost of skiing has remained remarkably stable over the last 60 years, even trending slightly downward.

Here’s what the data shows:

• In 1962, a daily lift ticket cost $5.00. Today, that same ticket is over $300. However, when measured in M2-adjusted terms, the cost of skiing in 2024 is nearly identical to what it was in 1962, even trending slightly downward.

Season passes reveal a similar trend.

• Since 2008, M2-adjusted prices have fluctuated slightly but remained largely consistent; despite the USD value of these tickets going exponential over the same timeframe. The spike in 2020–2021, driven by a flood of new money entering the system during the COVID-19 pandemic, is already normalizing.

This analysis reveals that the apparent “rise” in skiing costs is not due to corporate greed, increased demand, or fancy new infrastructure.

Instead, it’s an illusion created by the Federal Reserve’s monetary policies, which devalue the dollar and erode your purchasing power.

While the M2 money supply reveals the inflationary impact of new money creation, it also illustrates how inflation widens the gap between asset holders and wage earners. Those who own assets see their nominal wealth increase as asset prices rise.

However, this perceived "wealth" only holds water if the assets outpace the overall rise in prices.

For instance, someone who purchased a $25 million home in 2008 and now sees it valued at $100M may appear to have "gained" $75 million. But, if comparable homes have followed the same trajectory, their purchasing power has not truly changed.

This dynamic underscores how inflation distorts wealth perception while eroding the financial stability of wage earners.

The Real Cause of "Rising Prices"

The data is clear: the perceived rise in skiing costs is primarily a symptom of monetary inflation.

[Figure 4]: Vintage photo of a man skiing from Colorado Snowsports Museum

As central banks print more currency, the purchasing power of the dollar diminishes, making everything from groceries to ski passes appear more expensive.

The USD amount of skiing may have risen in nominal terms; but in real terms, the price remained stable. Inflation and money printing are essentially two sides of the same coin: expanding the money supply leads to higher prices, which many mischaracterize as "inflation."

Additionally, the monetary system itself creates incentives that distort competition. The Cantillon Effect explains how new money entering the economy disproportionately benefits those closest to its creation, such as large corporations like Vail Resorts with access to cheap credit.

This dynamic encourages centralization and monopolistic behavior, as corporations can use artificially low borrowing costs to expand operations, acquire competitors, and dominate markets.

While this might seem like a failure of capitalism, it’s actually a product of fiat monetary policy distorting natural market forces.

[Figure 5]: K. Smith (red sweater) and Zane Doyle (on Smith's left) with other skiers gathered around a ski school sign at Brighton.

For example, Vail Resorts’ ability to consolidate and control numerous ski destinations is less about inherent greed and more about operating within a system that rewards access to easy money.

Under a sound money system such as Bitcoin or gold, monopolies would only persist if they were truly efficient, delivering the most value at the lowest cost to consumers.

This distinction highlights the importance of understanding how monetary systems shape economic behavior and contribute to the illusion of rising costs.

By measuring skiing prices in Bitcoin, gold, or M2 money supply, we can see through the illusion of fiat currency.

While it’s valid to feel frustrated by high prices, understanding the root cause allows us to approach the problem more constructively.

Skiing on The Bitcoin Standard

Sound money advocates understand that the monetary system we use today is inherently inflationary; designed to make prices rise indefinitely. While the Federal Reserve’s target of 2% annual inflation might seem harmless, it quietly erodes purchasing power, halving it every 35 years.

Since the 2008 financial crisis, exponential growth in debt has compounded this issue, with real cost-of-living increases likely closer to 8-14% per year.

Everyone feels the effects of the monetary expansion, whether through higher grocery bills or the soaring price of skiing.

Bitcoiners have responded by adopting a different perspective, measuring the price of goods and services in a money with a fixed supply that cannot be manipulated. This is called living a Bitcoin Standard, and the results are eye-opening:

• In 2013, a single Bitcoin could purchase a day pass. By the 2016/2017 season, that same Bitcoin could buy a full-season pass.

As Bitcoin’s purchasing power continues to grow, Bitcoiners have begun measuring prices in Satoshi’s (fractions of Bitcoin, referred to as sats).

When we apply this way of thinking to skiing, we see that prices have decreased significantly.

• In 2016, a season pass cost $809, or about 100M sats. In 2024, despite a higher dollar price of $1,100 (a 36% increase in USD), the same pass costs only 2M sats—a dramatic decrease in real terms.

• The same trend is true for day passes, having decreased from nearly 40B sats when Bitcoin began trading, to around 400K sats in 2025.

This shift in perspective reveals a stark truth:

while fiat currencies are designed to erode wealth, Bitcoin was engineered to preserve it.

Bitcoin serves as a fixed measuring stick against the world, revealing the true "price" of things without the distortion from inflation.

However, it’s important to note that Bitcoin’s "deflationary" nature doesn’t inherently lower prices.

Rather, technological innovation, unleashed by efficient capital allocation in a sound money system, drives production costs down, leading to lower prices in real terms.

A Hopeful Outlook

Bitcoin offers a solution to the challenge we are all facing. With its fixed supply of 21 million units, it ensures that purchasing power is not eroded by inflation.

[Figure 6]: Park City's new "Town Lift" triple chair will transport skiers from the bottom of historic Main Street to Mid Mountain

As Jeff Booth highlights in his book, The Price of Tomorrow, deflation is a natural force that makes goods and services cheaper over time.

Advancements in technology improve efficiency, reduce input costs, and enhance consumer experiences.

This principle is particularly relevant to the ski industry, where innovations such as high-speed lifts and gondolas are often cited as driving up costs. However, these advancements actually reduce costs by increasing efficiency and minimizing labor requirements.

For instance:

• High-speed lifts can transport more skiers per hour, reducing the need for multiple chairlifts and their associated labor and maintenance costs.

• State-of-the-art gondolas are increasingly energy-efficient, compact, and capable of handling higher volumes, lowering infrastructure demands over time.

These technological improvements should naturally make skiing more affordable, but the inflation of fiat currencies erodes purchasing power. This creates the illusion that these innovations are inherently expensive.

While innovation demands capital, inflation distorts the process by making borrowing cheaper for some and inflating the costs of resources over time.

Under a sound money system, where capital is allocated efficiently, advancements would drive costs down rather than up, ensuring that businesses and consumers alike benefit from the true economic value of innovation.

[Figure 7]: Luft Seilbahn Corviglia- Piz Nair St. Moritz, gondola

For individual skiers and snowboarders, adopting a Bitcoin standard offers the potential to reclaim affordable access to the mountains, not necessarily because resorts will lower prices, but because the money used will hold its value.

Understanding inflation’s impact allows us to see beyond superficial explanations and envision a world where deflation and technological progress can work together to make skiing, and countless other experiences—more accessible to all.

I’m not suggesting you postpone your adventures waiting for prices to drop in Bitcoin terms, but I urge you to take steps to protect your purchasing power.

Storing your savings in Bitcoin can hedge against the effects of inflation, ensuring your hard-earned money remains valuable over the long term.

In the future, who knows? Maybe you’ll be able to afford not just one, but multiple season passes, without worrying about being priced out of the sport you love.

Footnotes:

• Day pass prices are based on historical data from a representative selection of resorts; including Vail, Stratton, Mt. Snow, Killington, Bear Creek Mountain Club, Park City, Squaw Valley, and Stowe.

• Some prices used in this dataset may reflect elevated holiday rates.

• Season pass prices reflect the full-price cost of the Vail Resorts EPIC Unlimited Pass.

• Bitcoin prices are based on the value of BTC on January 1 of each respective year. M2 money supply figures are sourced from the January print of each year.

Sources:

Historical Lift Ticket Prices and Cost Analysis

Lift Tickets Anyone? Lift Ticket Prices Back in the Day vs. Today

New England Ski History: Ticket Prices

When Did Ski Resort Lift Tickets Become So Expensive?

Historic Epic Lift Pass Prices

Contemporary Pricing and Corporate Actions

Vail Resorts Official Website

New Lift Ticket Price at Vail: $299 for One Day

Vail Expensive Lift Tickets

Broader Economic and Inflationary Analysis

M2 Money Supply Data

Economic Factors Affecting Ski Resort Pricing

Alternate Inflation Charts

The Real Cost of Living Increase Index

Socioeconomic and Labor Dynamics

Ski Patrol Union Strike at Park City

Historic Newspaper Coverage

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All images are credit of Hes, but you are free to download and use for any purpose. If you find joy from these photos, please feel free to send a zap. Enjoy life on a Bitcoin standard

Bullshit Jobs Exist Because The System Needs Them. A Bitcoin World Would Not.

In his 2018 book Bullshit Jobs, David Graeber described a strange modern affliction that hits all too close to home: millions of people—often well-educated and decently paid—secretly believe their jobs are meaningless. Not just boring or repetitive, but completely pointless. Entire sectors, he argued, exist to keep people busy doing tasks that make no real contribution to society. It’s a damning critique of how modern economies misallocate time, capital, and human energy.

While Graeber diagnosed the symptoms brilliantly, he misidentified the heart of the disease. His conclusion—that capitalism itself is to blame—confuses the free market with the manipulated atrocity we find ourselves living under today. In truth, we haven’t had real capitalism for decades. What we have is a fiat-driven system of cronyism, central bank interventions, and artificially inflated bureaucracies. It's not capitalism creating bullshit jobs—it’s a monetary system that not only rewards them, but requires them, in order to survive.

Graeber’s Core Insight: Meaningless Work in a Sick System

In Bullshit Jobs, Graeber categorized five archetypes of pointless labor—roles that feel fake not just to outsiders, but to the workers themselves. He correctly argues that these jobs exist not to produce value, but to preserve appearances, inflate hierarchies, or smooth over problems that shouldn't exist in the first place.

Each category speaks to a different failure of the system—not a failure of the market, but a failure of the bad incentives created by debt-fueled fiat economies:

Go-Betweens

Intermediaries who exist only because systems are needlessly complex or fragmented.

Examples:

• Corporate “liaisons” who simply pass emails between departments with incompatible software.
• IT consultants hired to manage integrations between bloated, outdated legacy systems.
• Sales coordinators whose job is to facilitate calls that would be unnecessary if pricing were transparent.

In a fiat economy, complexity isn’t punished—it’s rewarded with bigger budgets, more headcount, and greater organizational sprawl. Go-betweens thrive when layers of opacity are preserved for the sake of power, not productivity.

Flunkies

Employees hired to make their superiors feel important, often performing ceremonial or status-enhancing tasks.

Examples:

• Personal assistants to executives who insist on being shielded from their own calendar.
• Interns hired solely to greet guests, refill coffee, or be seen in meetings to validate a sense of importance.
• Staffers in large bureaucracies whose only function is to echo or flatter leadership talking points.

In hierarchies where status is everything, appearances matter more than outcomes. Fiat systems allow unproductive prestige roles to persist because they’re paid for not with earned revenue, but with cheap money and inflated budgets.

Box Tickers

People hired to fill out forms, compile reports, or meet compliance requirements that don’t actually improve outcomes.

Examples:

• Diversity officers required to generate DEI metrics, regardless of any cultural change.
• Corporate social responsibility managers producing annual reports no customer reads.
• Teachers forced to spend hours documenting lesson plans to meet administrative quotas.

In a heavily regulated, fiat-backed economy, the optics of accountability matter more than actual impact. Compliance becomes a job category in itself, rather than a byproduct of good practice. Box tickers serve systems that measure inputs, not results.

Duct Tapers

Workers who are constantly fixing or compensating for systemic problems that shouldn’t exist in the first place.

Examples:

• Customer service agents apologizing endlessly for broken products or poor policies they can’t change.
• IT help desk workers who spend their day resetting passwords and restarting machines because the core tech is outdated.
• Administrative staff who manually transfer data between platforms because software isn’t interoperable.

When companies are incentivized to maximize short-term profits over long-term fixes, they’ll paper over problems rather than address root causes. In fiat economies, cheap labor and abundant capital make it “easier” to throw people at the problem than to solve it systemically.

Taskmasters

Managers who create unnecessary layers of oversight, meetings, and control over people who could function independently.

Examples:

• Mid-level project managers whose main function is to schedule daily stand-ups and report to other project managers.
• Executive VPs of “Strategy” whose deliverables are vague decks, vision statements, and memos that lead nowhere.
• Bureaucratic supervisors whose main task is to track productivity metrics in systems where trust is absent.

In a fiat economy bloated with credit and managerialism, tasks multiply to justify salaries. When failure is subsidized, leadership structures grow horizontally rather than vertically—layer upon layer of oversight, all afraid to relinquish control.

The Fiat System: A Bullshit Job Generator

Graeber’s classification of bullshit jobs—while often humorous and sharp in its critique—unveils something far more tragic than absurd: that millions of people quietly know their work is unnecessary, even fake. These jobs do not emerge from organic market demand. They are not expressions of entrepreneurship or voluntary exchange. Together, these five categories describe a world where labor is not a measure of value, but of institutional inertia. These roles flourish in both public and private sectors—not because consumers demand them, but because inflated budgets, compliance culture, and fiat financing allow them to persist.

These jobs aren’t sustained by market forces. They’re sustained by a system where prices lie, failure is subsidized, and truth is distorted by monetary manipulation

This is the core of the illusion: we assume that because people are working, value is being created. But that assumption breaks down under the slightest bit of scrutiny. People spend entire careers producing reports that are never read, sitting in meetings to justify other meetings, correcting problems that were only created to support a job that didn’t need to exist. The machine feeds itself. It doesn’t matter if the work contributes to the well-being of others—it matters only that the system keeps spinning, and that workers continue to receive enough compensation to remain dependent.

What Graeber sees as a failure of capitalism is more accurately a distortion caused by fiat money. Capitalism, at its core, is a system of voluntary exchange based on real prices, risk, and reward. When practiced under sound money like Bitcoin, it eliminates inefficiency through natural selection: bad businesses fail, waste is punished, and success is measured by the satisfaction of others. Fiat breaks this feedback loop. When central banks can create money out of nothing, prices no longer reflect scarcity or human preference. Instead, they reflect proximity to the monetary spigot—cheap credit, government subsidy, or regulatory protection. What we’re actually living under is fiat statism: a fusion of centralized money and bureaucratic economics, where survival depends not on serving others—but on staying close to that spigot of freshly printed money.

The result is an economic environment where failure is propped up and fake work can thrive. Bureaucracies multiply not because they’re needed, but because they’re budgeted. Managers manage people who don’t need managing. Employees fulfill procedures written not for function but for liability. Industries flourish around complexity that ought to have been simplified—compliance departments, endless back-office layers, entire consultancies devoted to navigating the very red tape that sustains them.

The absurdity compounds. But the money keeps flowing, so the jobs stay alive.

Austrian economists warned of this dynamic. They spoke of malinvestment—capital flowing into unsustainable ventures not because of actual demand, but because artificially low interest rates signal false opportunities. In a fiat system, companies grow bloated on debt and subsidies, not on efficiency or innovation. Their labor force is not trimmed to serve a need but expanded to justify the illusion of growth. These bullshit jobs are not side effects—they are symptoms of the disease.

Jeff Booth, in The Price of Tomorrow, takes this a step further. He points out that exponential technological advancement should be driving massive deflation. We should be working less, owning more, and watching our cost of living fall as tools become cheaper, faster, and more powerful. We’ve been taught to fear deflation. But why? Under a deflationary system, prices fall as technology improves. That’s good. It means we’re getting more for less.

As Booth argues, technological deflation is the natural state of progress. Software eats costs. Automation replaces labor. Machines don’t just augment human effort—they replace entire industries. That’s not a crisis. That’s success. Why did calculators, cameras, and GPS units become free inside our phones? Because capitalism, unimpeded, drives marginal costs toward zero.

The fiat system fights this progress.

It needs people to work more hours each year to sustain consumption. It sees abundance not as a triumph—but a threat to employment statistics. We print more money to simulate growth, forcing people to work longer hours to maintain the same standard of living. We don’t celebrate efficiency—we subsidize redundancy. We don’t liberate the worker—we invent more work to keep them occupied. Booth’s insight aligns with the Austrian warning: our system can’t tolerate real progress, because its foundation is debt. And debt must be repaid—either with inflated currency or with your time.

That’s why we invent bullshit jobs: to mask the fact that we no longer need as much labor. Instead of letting people benefit from deflation, we chain them to fake work just to scrape by.

Bitcoin as Economic Truth

When the system is honest, the jobs that existed to game it disappear.

Bitcoin is the answer to the madness—not because it fixes labor directly, but because it fixes the signal. Under a Bitcoin standard, jobs must justify themselves. There is no central bank to fund pointless initiatives. There is no inflation to subsidize fake productivity. Scarce money forces honest decisions. It enforces efficiency through economic gravity. With no way to counterfeit capital, companies must produce real value to survive.

Because Bitcoin is deflationary by nature, technological progress no longer needs to be masked or feared. Prices fall naturally, and people gain time instead of losing it. Bitcoin embraces deflation. It lets prices fall. It lets time be reclaimed. It rewards productivity, not motion.

That shift is monumental. In a world where money gains purchasing power over time, the need to work simply to stay afloat disappears. People can save. They can rest. They can walk away from meaningless jobs. They are no longer required to “stay busy” just to maintain purchasing power. Instead, they can focus on work that matters—or no work at all. Automation doesn’t have to be a threat to employment. It becomes a gift. It liberates time. Bitcoin allows that liberation to be economically viable.

This is where time preference enters the equation. High time preference—prioritizing the now at the expense of the future—is incentivized by fiat. Why save when money melts? Why build when consumption is easier? Bitcoin reverses this. Its fixed supply makes future value meaningful. With a low time preference, individuals can plan. They can invest in projects that may not pay off for decades. They can work less, save more, and spend time on family, health, or creativity. The bullshit job dissolves not because it is outlawed—but because it no longer makes sense.

Even the social fabric frays under fiat pressure. Graeber noted how dual-income households have become the norm, not because families want two full-time jobs, but because one income is no longer enough. And when both parents are gone, more jobs are created to take their place—childcare, food delivery, after-school programs—more economic activity, but less connection. Bitcoin begins to restore sanity here too. With real savings and lower cost of living, families can reclaim their time. One parent might choose to stay home. Or both could work part time.

It’s not just economic reordering—it’s civilizational repair.

And underneath it all lies the most important piece: cryptography. The real innovation behind Bitcoin isn’t some abstract “blockchain” (a term captured by marketing departments and crypto scams). It’s the cold, uncompromising certainty of math. Cryptography enforces the rules. It makes fraud impossible and favoritism obsolete. In a world built on code as law, no one gets to cheat. No one can print more Bitcoin. No one can override the protocol at will. It is a trustless system—not because it lacks trust, but because it removes the need for it.

This is the cypherpunk revolution. Not through protest or policy, but through protocol. Not through persuasion, but through code. Bitcoin doesn’t appeal to power—it routes around it. And in doing so, it renders entire categories of bullshit jobs obsolete. There is no need for compliance departments when the rules are enforced mathematically. There is no room for rent-seeking middlemen when value moves peer-to-peer. There is no demand for bureaucratic managers when coordination happens through open protocols. When the system is honest, the jobs that existed to game it disappear. This is how freedom scales: not by politics, but by cryptographic enforcement.

In this system:

• There are no subsidies for zombie corporations.

• Bad businesses fail—and their resources are reallocated.

• Jobs must create value or they disappear.

The question is no longer “how do we create more jobs?” but “why are we still working so much?” If the goal of civilization is to increase leisure, abundance, and freedom, then bullshit jobs are a betrayal of progress. They are not signs of a healthy economy—they are symptoms of one in decline.

This is how bullshit jobs die: not by legislation, but by exposure to reality.

Bitcoin is an Exit from the Bullshit Economy

David Graeber revealed a deep dysfunction in the modern economy: millions of people doing work that neither inspires them nor benefits others. He saw clearly that millions are trapped in labor that feels hollow—labor that exists not because it’s needed, but because the system would collapse without the illusion of productivity. His instinct was to blame capitalism. But the deeper truth is more radical: this isn’t capitalism at all. It’s fiat deception masquerading as a market.

Bitcoin clears away the fog. It restores price integrity. It aligns incentives. It rewards value, not velocity. In a Bitcoin world, we don’t need to create fake work to keep people fed. We let prices fall. We let time be reclaimed. We let people walk away from bullshit.

Bullshit jobs exist because the system needs them. A Bitcoin world would not.

In that world, we work to create—not to comply. We build what lasts. We pursue freedom. And we remember that the goal of progress was never more jobs—it was less work for a better life.

That’s not just a better economy. That’s a better life.

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All images are credit of Hes, but you are free to download and use for any purpose. If you find joy from my work, please feel free to send a zap. Enjoy life on a Bitcoin standard.

I stumbled upon the Elgato Stream Deck while aimlessly browsing the web, and I was instantly intrigued. But one question kept nagging me—how would I use this, and why do I even need it?

I don’t stream.

At first glance, it seemed like just another gadget to clutter my already cramped desk in my tiny Shanghai apartment. But curiosity got the best of me. After some research, I decided to give it a shot and see what all the hype was about.

And wow—was that hype justified.

This isn’t a deep-dive review covering every feature (there are plenty of those online). Instead, I want to share some of the workflows I’ve set up and hopefully get you thinking about the endless possibilities you could create with a Stream Deck.

If you’re someone who loves making computer tasks easier but struggles to remember keyboard shortcuts beyond Ctrl + V, this little device might just change the way you work.

Launching Apps and Websites

I won’t lie—my favorite use for the Stream Deck is the sheer convenience of pressing a button and instantly launching what I need.

Want to watch YouTube? Button.

Open Photoshop? Button.

Play a game? Button.

Check Bitcoin prices? Those are always on the display.

Sure, it’s a small thing, but the speed and ease of launching apps or navigating to websites make a surprising difference. What used to be a few clicks and keystrokes is now a single tap.

After using the Stream Deck for a while, my laptop feels... clunky. I’ve genuinely noticed an increase in my productivity and focus.

Custom Application Profiles

One of the most powerful features of the Stream Deck is its ability to switch profiles based on the application you’re using.

This means that every time you switch programs, the buttons automatically adjust to show relevant shortcuts and commands. It’s a game-changer for software with hundreds of keyboard shortcuts, making multitasking seamless.

I’ll admit—setting up custom profiles can be a bit time-consuming. The good news? You don’t have to start from scratch. There are tons of downloadable third-party profiles for popular programs like Illustrator, Photoshop, Final Cut Pro, DaVinci Resolve, Microsoft Office, and Ableton.

If your favorite app doesn’t have a pre-made profile, you can always build your own. It takes some effort, but once it's set up, the workflow improvements are worth it.

Music and Audio Control

I use an audio interface for lossless wired playback and external microphone support. The Stream Deck makes switching between my computer’s default mic and my studio mic effortless—no more digging through system preferences.

Even if you don’t use external audio gear, the Stream Deck still has plenty of value for music lovers.

It integrates with Apple Music and Spotify, letting you control playback, skip tracks, like songs, and add them to playlists—all without switching apps. Elgato is constantly adding new third-party integrations, which gives the device even more longevity.

Lighting and Smart Home Control

If you have smart home devices, the Stream Deck can act as a command center. It integrates with platforms like Philips Hue, LIFX, Nanoleaf, and IFTTT, letting you control lights, scenes, and colors with a single tap.

Want to set the mood for gaming, reading, or watching a movie? Done.

You can even use it to trigger other smart devices, like cameras, thermostats, or speakers, using IFTTT applets. The possibilities here are endless.

Finder and Document Shortcuts

One of the most unexpectedly useful features for me has been quick access to folders and files.

I’ve set up buttons for my most frequently used folders—Downloads, Desktop, and Documents—so I can access them instantly. I’ve also created buttons for specific files like spreadsheets and PDFs, so I don’t have to dig through folders to find them.

It sounds simple, but when juggling multiple projects, these little time-savers add up fast.

Final Thoughts

The Elgato Stream Deck is a surprisingly versatile tool that enhances productivity, creativity, and entertainment. Whether you’re launching apps, controlling music, managing smart devices, or creating complex workflows, it streamlines everyday tasks in a way that’s hard to go back from.

At first, I thought it was just for streamers. Now? I can’t imagine working without it.

I hope this post gives you some ideas on how to make the most of a Stream Deck. If you have any questions or thoughts, drop a comment below.

Thanks for reading!

Feel free to support me by grabbing one through my affiliate link below:

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Originally published in 2022. All images are credit of Hes, but you are free to download and use for any purpose. If you find joy from my art, please feel free to send a zap. Enjoy life on a Bitcoin standard.

Introduction

Sanctuary offers a layered view of resilience, juxtaposing the green expanses of the Sanctuary Golf Course with the majesty of Pikes Peak and the scars of past destruction. Framed by the lens, this work explores the tension between human intervention and nature’s cycles of renewal.

Site & Placement

Perched at Daniels Park in Castle Pines, the lens focuses on the rolling terrain of the golf course, leading the eye to the distant peak. The surrounding brush, which once burned in a major fire, adds depth to the narrative of renewal. A bench, positioned for an unobstructed view, invites visitors to sit and reflect on the land’s capacity to heal and endure.

Impermanence & Integration

As an ephemeral installation, Sanctuary embodies nature’s cycles of destruction and rebirth. The materials—branches and rock—will eventually decay and return to the earth, a process that mirrors the recovery of the landscape itself after fire. This impermanence underscores the delicate balance between human influence and natural forces.

Reflection

Sanctuary serves as a reminder of both the fragility and resilience of the world around us. It invites viewers to pause and consider the interplay of destruction and growth, human and natural, as they gaze upon a scene shaped by both time and transformation

Photos

More from the 'Earth Lens' Series:

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"Looking Glass" (Earth Lens 001)

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COMING SOON: "Chongming" (Earth Lens 006)

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All images are credit of Hes, but you are free to download and use for any purpose. If you find joy from my art, please feel free to send a zap. Enjoy life on a Bitcoin standard.

Introduction

From atop Flagstaff Mountain, Folsom frames Boulder’s iconic Folsom Field, a symbol of youth, learning, and community. This lens offers a moment of reflection on the brevity of the college experience and the transient nature of life, inviting viewers to connect with the campus and its fleeting but impactful moments.

Site & Placement

The lens is strategically placed to frame the stadium, blending the vibrant life of the campus with Boulder’s vast and enduring natural landscape. The bench, situated 6 feet from the lens, offers a space to sit and contemplate the juxtaposition of permanence and change, of structure and wilderness.

Impermanence & Integration

Constructed from branches and rock, Folsom is designed to fade into the mountain landscape after only a short time. Its impermanence echoes the fleeting nature of the college years, reminding viewers that growth and transformation are rooted in moments that pass all too quickly.

Reflection

Through its brief presence, Folsom captures the delicate interplay between human experiences and the enduring landscapes that frame them. It invites viewers to celebrate the vibrant present while acknowledging the inevitability of change.

Photos

More from the 'Earth Lens' Series:

Earth Lens Series: Artist Statement + List of Works

"Looking Glass" (Earth Lens 001)

COMING SOON: "Sanctuary" (Earth Lens 003)

COMING SOON: "Platte" (Earth Lens 004)

COMING SOON: "Grandfather" (Earth Lens 005)

COMING SOON: "Chongming" (Earth Lens 006)

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All images are credit of Hes, but you are free to download and use for any purpose. If you find joy from my art, please feel free to send a zap. Enjoy life on a Bitcoin standard.

Introduction

Nestled deep in the forest near Boulder, "Looking Glass" invites viewers to rediscover the quiet beauty of overlooked natural details. By framing the play of light, texture, and shadow through a 4-foot circular lens, the piece shifts focus to the microcosms of the forest, drawing attention to a small and overlooked waterfall.

Site & Placement

The lens is perched amid a cluster of trees, emphasizing a quiet patch of the forest that often goes unnoticed. Positioned 22 feet from the lens, a carefully placed bench offers a perfect vantage point, guiding visitors to linger, observe, and absorb the layered simplicity of the scene.

Impermanence & Integration

True to the ethos of the Earth Lens series, Looking Glass exists only briefly. Its natural materials—branches, wood, and rock—blend seamlessly into the forest and will eventually be reclaimed by it. The fleeting presence of the lens reflects the transient beauty of life, encouraging viewers to appreciate the details that often escape notice in the rush of time.

Reflection

In its short life, Looking Glass offers a moment of stillness and clarity, a chance to peer into the intimate world of the forest. The work becomes a lens not just for the environment but also for introspection, reminding viewers of the quiet wonders that surround them every day.

Photos

More from the 'Earth Lens' Series:

Earth Lens Series: Artist Statement + List of Works

COMING SOON: "Folsom" (Earth Lens 002)

COMING SOON: "Sanctuary" (Earth Lens 003)

COMING SOON: "Platte" (Earth Lens 004)

COMING SOON: "Grandfather" (Earth Lens 005)

COMING SOON: "Chongming" (Earth Lens 006)

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All images are credit of Hes, but you are free to download and use for any purpose. If you find joy from my art, please feel free to send a zap. Enjoy life on a Bitcoin standard.

This project was first exhibited in 2015 in Boulder, Colorado.

Prints available on request. DM for inquiries on the sculpture.

Artist Statement

Organimetal: Where Industry Meets Nature

Organimetal examines the paradoxical relationship between human industry and the natural world, reflecting on humanity’s dual role as both creator and disruptor. This work fuses bold industrial materials, such as sheet metal and rivets, with an organic form, evoking the tension between the rigid, mechanical qualities of human innovation and the fluid, unpredictable patterns of nature.

At the heart of this sculpture lies a critique of the way human industry often seeks to dominate the natural world while still drawing inspiration from it.

The form’s flowing, natural curves juxtapose the cold, utilitarian surface of the metal, highlighting this inherent contradiction. The industrial materials, traditionally associated with mass production and control, are reimagined here as part of a delicate, organic structure, prompting viewers to question the impact of industry on the Earth.

This sculpture serves as both an artistic exploration and a personal milestone. It represents my second foray into metalworking and the first piece to ignite my love for the medium. As viewers engage with Organimetal, they are encouraged to reflect on their own perceptions of progress, balance, and the unintended consequences of our attempts to shape the world around us.

Photos

Other Sculptures by Hes

Quarantine [2016]

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All images are credit of Hes, but you are free to download and use for any purpose. If you find joy from my art, please feel free to send a zap. Enjoy life on a Bitcoin standard.

This project was created and first exhibited in 2015 in Boulder, CO.

Artist Statement

Untoward Equilibrium is an experimental short film that delves into the complex and often strained relationship between humans and the natural world. Through a dynamic interplay of visuals, sound, and digital manipulation, the film investigates themes of migration, cultural destruction, and the often futile efforts to rebuild in the face of inevitable change. Utilizing tools such as VDMX 5, iMovie, and the APC40, I aimed to weave a narrative that reflects the cyclical and untidy balance between human intervention and the forces of nature.

The film’s abstract visuals and layered soundscapes evoke a sense of unease, suggesting that the equilibrium between the two is never quite stable. It examines the patterns of regime changes, revolutions, and war, exploring how these human conflicts mirror the predator-prey dynamics of the natural world.

Just as predators and prey shape ecosystems through cycles of survival and dominance, human societies grapple with cycles of power, upheaval, and renewal.

Through this lens, the work considers ongoing processes of disintegration and reconstruction, drawing parallels between societal collapse, cultural upheaval, and the relentless forces of nature. By blending the organic with the synthetic, Untoward Equilibrium reflects the fragility of human civilizations and the environments we inhabit, questioning whether true harmony between the two is ever achievable, or if we are destined to remain in a perpetual state of imbalance. This film seeks to provoke reflection on how the forces of war, revolution, and ecological interplay shape our understanding of the world and our place within it.

Stills from the film

Watch ‘Untoward Equilibrium’

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No. 11 - Evenings in Pujiang Town

A laid-back vibe in the heart of Shanghai. The area is packed with fantastic restaurants and offers serene views of canal reflections. It’s super easy to get there via the metro, making it a perfect evening escape. The charm lies in its simplicity; it’s the kind of place where you can take a leisurely stroll and truly unwind. If you’re lucky, you might catch a gorgeous sunset mirrored in the water.

No. 12 - Sunbathing at Jinshan Beach

Okay, Jinshan Beach isn’t winning any awards for “World’s Nicest Beach” (it’s man-made and, well, it’s China), but there’s something unbeatable about a sunny day by the water. Grab a towel, soak up some rays, and embrace the experience. There’s also a variety of beachside snacks and vendors that add to the laid-back vibe. While it’s not luxury, it’s a solid way to escape the hustle and bustle of the city.

No. 13 - Rooftop Chasin’

The best sights of the city are often in places you’re not supposed to be. Feeling adventurous? Try finding your way onto the roof of an apartment or office building. It might take a little finesse, but the reward is worth it: breathtaking views few others have ever seen. The city feels different from up high—quiet, sprawling, and almost surreal. Just make sure to stay safe and respectful; not every rooftop adventure is worth the risk.

No. 14 - Shanghai Disneyland

This might not count as a classic “expat spot,” but skipping a trip to the happiest place on earth while in Shanghai would be a mistake. The Tron and Pirates of the Caribbean rides are next-level—just prepare to wait. The long lines and bustling crowds are part of the adventure, so make the most of it! Pro tip: get there early to maximize your day and snag a good spot for the evening fireworks. It’s a little slice of magic you won’t forget.

No. 15 - Insanity on the Maglev

In five years of living in China, I somehow only rode the Maglev once. If you haven’t yet, don’t miss out! There’s something surreal about flying at 368 km/h as the world blurs past your window. It’s a feat of engineering that makes you appreciate just how far technology has come. Even if you don’t need to catch a flight, the ride itself is worth the experience.

Additional Photos

Previous Guides in the Series:

An Expats Guide to the Best Spots in Shanghai: 001

An Expats Guide to the Best Spots in Shanghai: 002

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All images taken by Hes. Published 01/02/2025

Photos in Order:

26. Nanjing

27. Nanshan

28. Nijo

29. Norodom

30. Oldtown

31. Qiaolou

32. Qibao

33. Qingcheng

34. Royal

35. Shwedagon

36. Taiping

37. Tenryu

38. Thatbyinnyu

39. Tianxuan

40. Twins

41. Wuzhu

42. Xinanjiang

43. Xingbake

44. Xuanbi

45. Yehliu

46. Yueya

47. Yunyan

48. Yuyuan

49. Zhonggong

50. Zhouzhuang

View Part 1:

Structural Reflections 1-26

Other Works:

Earth Lens Series

Rockway

Нет войне

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This project was presented in 2015 in Boulder, Colorado. Images and video remain property of Hes.

Artist Statement

Light Pollution: Group Exhibition

"Light Pollution" is a group exhibition that investigates the influence of artificial light on the natural environment. As part of this exhibition, I transformed the CU Boulder campus's Engineering Complex into a dynamic canvas through projection mapping. My contribution, a 100ft+ projection on the complex's tallest spire, featured the video "Superintended Vanquishment". This piece showcased engineering failures caused by natural forces, prompting viewers to contemplate the environmental repercussions of human activities and the potential consequences of nature's retaliation. The projection not only illuminates the impact of light pollution on our surroundings, but also prompts a deeper reflection on our relationship with the natural world and the power of nature over humans.

The "Light Pollution" group exhibition was a thought-provoking and visually stunning exploration of the impact of artificial light on the natural environment. Through the use of projection mapping, video content, and immersive sound design, the artists aimed to create an unforgettable experience that would inspire viewers to think more deeply about our relationship with the environment and the impact of humans on the natural world.

Superintended Vanquishment: Short Film

‘Superintended Vanquishment’ is a digital media project that showcases modern engineering failures onto the very building where the future engineers of tomorrow are studying. The Engineering Complex at CU Boulder serves as the backdrop for this thought-provoking piece. The irony lies in the fact that the video, which depicts engineering disasters caused by natural forces, is projected onto the building where students are learning about engineering.

By using this content, I wanted to challenge viewers to think about the consequences of our actions on the environment and the delicate balance between human development and natural systems.

This project ties into the theme of light pollution by highlighting the impact of artificial light on both humans and nature. While humans have made great strides in engineering, nature still holds the power to reclaim what's hers. The video features scenes of engineering failures, such as a dam collapsing due to a flood, a building destroyed by an earthquake, and a bridge washed away by a landslide. The film serves as a reminder of the fragility of human creations and the power of nature.

The projection itself is striking, with the video mapped onto the Engineering Complex's tallest spire. The lighting effects and surround sound speakers create an immersive experience for viewers, allowing them to feel as if they're part of the scene. This visual and auditory display invites viewers to reflect on the consequences of human actions on the environment and the delicate balance between human development and natural systems.

Ultimately, the project underscores the notion that, despite our technological advancements, nature will always have the final say.

Watch ‘Superintended Vanquishment’

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Originally published in 2015 by Hes.

Republished to habla.news/u/hes@nostrplebs.com on 11/28/2024.

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Photos in Order:

1. Angkor

2. Anren

3. Arun

4. Asadha

5. Baima

6. Baita

7. Baiyuan

8. Bayon

9. Ciguang

10. Datang

11. Dazhao

12. Fanjing

13. Groslier

14. Guyi

15. Gyeongbokgung

16. Higashi

17. Hongya

18. Huanghe

19. Independence

20. Kiyomizu I

21. Kiyomizu II

22. Kyauk

23. Leifang

24. Longhua

25. Manhua

View Part 2:

Structural Reflections 26-50

Other Works:

Earth Lens Series

Rockway

Нет войне

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This project was first presented in 2022 in Littleton, Colorado. Images remain property of Hes. Prints available on request.

Artist Statement

Нет войне: No to War

"Нет войне" is an environmental art project created by continuously walking back and forth for several hours until the grass lay flat. Each letter measures roughly 12’ x 6’. The letters have been slightly exaggerated in Adobe Lightroom for digital clarity. The phrase "Нет войне" translates to "No to War."

The piece aims to give a voice to the citizens around the world standing up against tyranny and destruction. Nature always overruns land art with time. It overruns the rubbles of a war-torn country. It will overrun civilization long after we are gone. This earthwork may only be visible for a couple of weeks; the signs may only be held up for a couple of seconds; the remnants of a devastating war may only be visible for a couple of decades. But one thing remains true: human lives will never be restored. Facts should never be forgotten. Invasions should never be tolerated. Freedom will prevail.

The artwork reflects on the impermanence of human constructs, whether they are artistic expressions or the scars left by warfare. It serves as a testament to the strength and determination of those who oppose oppression and violence.

Through this work, I aim to not only capture a moment of protest but also invite viewers to reflect on the broader implications of war and peace. The piece is a call to action, urging us to remember the human cost of war and to strive for a world where freedom and peace prevail.

Follow-up images regarding the status of the land will be provided over time. Hopefully, the war will be over before the piece fades away.

Additional Photos

Month 1 Update

The war expands. The piece stands.

Month 4 Update

The war continues. The piece fades.

Month 12 Update

The war rages on. The piece is gone.

More Land Art

Invasive (Site/Non-Site) - [2016]

Quarantine - [2016]

Rockway (Micro v. Macro) - [2016]

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Originally published in 2022 by Hes.

Republished to habla.news/u/hes@nostrplebs.com on 7/5/2024.

Republished with updates to Website on 12/15/2024.

This project was first presented in 2016 in Boulder, Colorado. Images remain property of Connor Hesen. Prints available on request.

Site // Teller Lake Number 5

Non-site // University of Colorado Visual Arts Complex

Artist Statement

Invasive: Chaos and Order

"Invasive" is an environmental art project inspired by the concept of "Site / Non-Site," developed by Robert Smithson, a pioneer of Land art in the 1960s. A Site is a location outside the gallery, where the natural materials are collected and documented. A Non-Site is a body of objects and documentation inside the gallery, where the natural materials are transformed and displayed as sculpture.

The project is centered around Teller Lake #5, a location where human intervention has disrupted the natural balance of the ecosystem. Uneasy yet harmonious, eerie yet relaxing. Tall trees invade the path leading to the lake and begin to take over. Broken glass protrudes into walkways. Large slabs of concrete displaced on the beach. In 2013, goldfish are introduced to the lake by man, multiplying rapidly and threatening native species. The ecosystem is broken and infested. Man begins to plot solutions to this problem. In 2015, hungry pelicans arrive and consume most of the goldfish, restoring order to the lake without human intervention. Nature wins again.

The Site features large slabs of concrete on the beach, presumably left by human activity. One of these slabs is in perfect alignment with the lake, creating an unexpected visual connection.

The Non-Site of this project is located in the University of Colorado Visual Arts Complex stairwell, where the materials and impressions from the Site are reinterpreted and re-contextualized.

The Non-Site consists of the concrete slab found at Teller Lake, with a circular dirt ring, representing the slab and the circle found at the Site. The slab is raised off the floor by a cinder block, offering an abstract view of the piece from above. The work also includes photographs and maps of the Site, as well as samples from the area and an eerie audio-track ringing through the echoey space.

"Invasive" delves into the complex relationship between humans and nature by examining the impact of human intervention on Teller Lake #5. The project highlights the tension between the natural and artificial, and encourages viewers to think about the consequences of our actions on the environment. By exploring this issue, "Invasive" invites us to consider the delicate balance between nature and human activity, and how our choices can have far-reaching effects on the world around us.

Additional Photos

Originally published in 2016 by Connor Hesen.

Republished to habla.news/u/hes@nostrplebs.com on 6/30/2024 with slight edits.

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Lightning Storefront

No. 6 - Zhujiajiao Canal Chasing

For a tranquil escape from the hustle and bustle of the city cruise to Zhujiajiao -- an epic water town dating back to the Ming and Qing dynasties. It's only about 50 kilometers from the downtown and makes for an easy day trip. Hop on the subway and get there in an hour. Zhujiajiao has canals, bridges, and ancient buildings, offering a glimpse into the town's rich history. Take a boat ride along the canals for the best views of traditional houses and temples. Then explore the town on foot and get lost in attractions like the Kezhi Garden, Yuanjin Temple, and the Qing Dynasty Post Office. Don't forget to grub-up with all of the great food vendors nearby.

No. 7 - China Art Museum

China Art Museum is absolutely worth the trip solely for its awe-inspiring architecture. The towering structure casts a tall shadow over bystanders. Step inside and you'll find a world of art waiting. The blend of permanent and temporary exhibits offers hours of art-gazing. Give yourself at least half a day to fully immerse in the creative haven in Pudong. To get to the China Art Museum, you can take Line 2 of the Shanghai Metro and get off at the Pudong Avenue Station (Chinese: 浦东大道站). The museum is located near Exit 4 of the station.

No. 8 - Days on The West Bund

Hands down my favorite place in Shanghai. This spot is the go-to for a perfect weekend under the sun. You'll find me setting up a blanket with beer, cards, and snacks, along with a slackline and spike ball setup nearby, surrounded by dogs running around, enjoying the company of old and new friends. When you want a little movement enjoy some climbing, skating, running, or basketball after work. The West Bund is an oasis amidst the chaos of the city. But beware - its popularity is growing, so tread lightly.

No. 9 - Nights Under the Lupu Bridge

Nights under the Lupu Bridge are where it's at, man. Hop on your scooter and cruise over for the ultimate skyline views. Stroll along the walkway, munch on street food, sip drinks, and groove to live tunes. Street vendors serve up traditional snacks and crafts, and the vibe gets lit with spontaneous performances and games. Get ready to soak up the electric energy of Shanghai's Lupu Bridge at night."

No. 10 - A Weekend on Chongming

Escape the city hustle and find your peace on Chongming Island. A weekend getaway on this rural gem is just what you need. Chill out in a farmhouse, soak up the sunset, and enjoy the tranquility. Explore the natural wonders, visit the old museums, and feast on fresh seafood. End your days with a beach walk under the stars. Nothing beats a few nights away from the city chaos.

Additional Photos

Previous Guide in the Series:

An Expats Guide to the Best Spots in Shanghai: 001

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An Expats Guide to the Best Spots in Shanghai: 003

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All images are property of Hes. Published 06.29.2024

(Box) pallet, pallet wood, spray paint, nails [48” x 24” x 24”]

This project was first presented in 2016 in Boulder, Colorado. Prints available on request.

Artist Statement

Quarantine: Examining the Impact of Globalization

“Quarantine” examines one node in the complex network of human globalization. The work reflects on the repercussions of global trade and encourages discussion about the benefits - and tradeoffs - that globalization has brought the human species.

At the core of the project lies the Emerald Ash Borer (EAB), an invasive insect that has left a trail of devastation across millions of ash trees in the United States. Native to Asia, the EAB hitchhiked its way onto American soil through wooden packing materials. It made its debut in Boulder in 2013 - threatening the existence of nearly 100,000 ash trees in the area. To curb further spread, the federal government imposed a quarantine on all ash wood from affected regions.

As one contemplates the interplay between the various elements of the piece, they should aim to explore their own moral frameworks and seek to dive deeper into questions on progress, connection, and preservation.

“Quarantine” is presented through two elements, each narrating a unique chapter of this ecological saga:

The ash wood panel aims to mimic the characteristics of the EAB’s destruction. The panel is adorned with a font that mimics the signs of infestation and illustrates the relentless assault this tiny creature is causing.

The text is rendered in midnight black, creating a deliberate contrast to that of which it lies—a dialogue between organic and artificial. The word “Quarantine” is displayed as the focal point of the panel to demonstrate a literal interpretation of ‘quarantine on ash’. As viewers engage with the panel they confront the dual forces. Nature’s vulnerabilities and humanity’s impact.

The box stands as a tangible representation of the method of infestation. It symbolizes not only containment, but also the globalized trade that facilitated the EAB’s journey in the first place. Its worn and gritty appearance mirrors the ecological (and economic) damages caused by this innocuous-seeming insect. On one side of the box, a bright red symbol hints at a potential warning to the destination of the ill-fated crate. The top reads 'destruction' in all bold caps. Something feels off.

Globalization, while propelling forward incredible human progress and prosperity, has also created undeniable disruptions to ecosystems and biodiversity around the globe. The EAB saga serves as just one case study into the larger topic at hand, revealing the unintended consequences of our interconnected world.

Additional Photos

Other Sculptures by Hes

Organimetal [2015]

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All images are credit of Hes, but you are free to download and use for any purpose. If you find joy from my art, please feel free to send a zap. Enjoy life on a Bitcoin standard.

(Macro) "St. Louis" // photo collage on foam board [16" x 20"]

This project was first presented in 2016, as a diptych installation at the group exhibition, "There to Here: Investigative Topographies from Land and Environmental Art" in Boulder, Colorado. Images remain property of Hes, but prints can be purchased via DM.

Artist Statement

Rockway: A Reflection on Roads and Nature

“Rockway” examines the concept of Micro v. Macro through the central theme of line; acting as a reflection on ideas of movement and connectivity in today's world. A line, simply defined as the connection between two points, takes on a profound new meaning in our urban landscape. The roads we have constructed, like arteries of the land, connect us to vast possibility. What happens when human progress and creation intersect with the natural world, and what role does that play in our lives?

Boulder Creek (pictured above) explores this intersection at the micro-level, focusing heavily on the delicate balance between humans and their environment. Stumbling upon the nearly 160-foot earthwork presents the viewer with an unnatural line, composed of stones, meandering through the pristine natural landscape. It evokes the winding roads through the mountains nearby one takes to get here- a stark contrast against the wilderness where it sits.

The earthwork employs a singular free-flowing, curvilinear line, representing a departure from the rigid angles of the surrounding landscape. This choice symbolizes more than just movement. It delves into the relationship between the towering skyscrapers, flowing highways, and gridded cities we inhabit. As the eye follows the work from start to finish, it encounters straight lines—those of trees and rocks—interrupting the flow, much like the complex highway systems and cities we build to connect ourselves around the globe.

St. Louis (pictured above) explores the concept of line at the macro-level. In this piece, movement remains a central theme, but the intent shifts. The collage aims to create an unrealistic, yet harmonious, urban highway system. Lines intersect, diverge, and rejoin in nearly impossible ways; calling into question what exactly our future might look like. Each line signifies the movement of humans—from place to place, from birth to departure.

The city of St. Louis holds personal significance. It’s my birthplace, my starting point. The curved form of the line embodies movement and fluidity, echoing my own journey. Highways connect us to places, people, and experiences. They weave our stories, even as they reshape the landscape.

Step back, and the piece appears a unified whole. But lean in and scrutinize the details, and you’ll discover individual clippings and rigid overlaps from the satellite photos it is composed of. Each stone and curve. Each road and line — force us to consider the tale of movement, connection, and balance. "Rockway" invites us step back and dig deeper into the connections we [ourselves] hold with the land; and what responsibility we [as a whole] have in encouraging continued prosperity, while maintaining the delicate balance holding it all together.

Additional Photos

More Land Art

Invasive (Site/Non-Site) - [2016]

Quarantine - [2016]

Earth Lens Series - [2016-Present]

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Originally published in 2016 by Hes. Republished at habla.news/u/hes@nostrplebs.com/1708400183541 on 2/19/2024.

No. 1 - The Less Touristy "Bund"

The Bund is certainly a must-see if you are traveling to Shanghai for the first time - and it will be at the top of every travel guide out there, for good reason - there are equally as stunning alternatives away from the crowds. If you want to enjoy the skyline from a more relaxed perspective, consider the Pudong side of the river. There are parks, basketball courts, and green spaces along the riverbank for you to chill at and take in the sights. You can also hop on a ferry or a sightseeing boat to cross the river and admire the views from the renowned Bund.

No. 2 - Walks Along Golden Street

This one is out in Gubei, a suburban area in the west of Shanghai. It may be a bit of a trek, but it is worth it if you are looking for a more relaxing and peaceful pedestrian street in the city. Golden Street, or Jinxiu Road, is a great place to walk a dog, grab an afternoon drink, or enjoy a romantic dinner with your loved one. While it may be a bit far from downtown, it makes for a great joyride on your scooter or bicycle.

No. 3 - Moganshan Road Graffiti Wall

Moganshan Road is a gem for all things art. It is home to M50, the best art district in the city, where you will find dozens of galleries, studios, and workshops showcasing a wide range of art. There are also plenty of cool spots scattered around the area, particularly the graffiti wall. The wall is a welcome contrast to some of the drab and monotonous architecture found around the city; with colorful display of street art featuring various styles and themes. Stop by and admire the works of local and international artists, and even jump in to join them in adding your own mark. The wall is constantly evolving, so you can always find something new.

No. 4 - Jiaotong University in the Fall

Easily one of the best spots in town for catching rows of bright yellow and red leaves. Jiaotong University is one of the oldest and most prestigious universities in China. The campus is located in Xuhui District and has a mix of Chinese and Western architectural styles to admire as well. Try to visit in late October or early November for the best leaf-peeping. You can walk along the tree-lined paths, set up a blanket in the field for a picnic, or simply take photos and enjoy the scenery.

No. 5 - Day Drinking at Highline

Hands down one of the top five rooftop bars in the city, along with Bar Rouge, Kartel, and others; Highline is a go-to-spot that offers great views of the city and excellent food. Find it on the sixth floor of the Ascott Hotel in Huaihai Road in Xintiandi. Nothing beats a laid back Saturday afternoon at Highline. I prefer the views during the day, though it is equally as nice a night. Sip cocktails, wine, or beer, and enjoy the music and vibe. Highline is a perfect place to spend an afternoon.

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An Expats Guide to the Best Spots in Shanghai: 002

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All images property of Hes. Originally published as an Instagram Guide on Feb. 02, 2021. Reworked and published on Nostr on Feb. 17, 2024.

The Itinerary

Days 1-2:

Fly into Yangon Airport. Settle in and explore the vibrant sights and flavors of the city.

Day 3:

Take an overnight bus south to the coastal city of Myeik.

Days 4-8:

Go island hopping around the Mergui Archipelago—remote beaches and untouched islands await.

Day 9:

Travel to Dawei. Find a cozy place to stay and relax for the evening.

Days 10-13:

Rent a motorcycle and explore the stunning Dawei Peninsula. Soak up the sun on pristine beaches.

Day 14:

Head to Hpa An. Check into a hotel and enjoy a sunset beer.

Days 15-18:

Discover the limestone mountains, caves, and farmlands of Hpa An.

Day 19:

Travel to Bagan. The journey may be bumpy, but the destination is worth it.

Days 20-23:

Explore the breathtaking temples of Bagan. Sunrise hot air balloon rides are a must.

Day 24:

Head to Lake Inle. Settle into your accommodation and dine by the water.

Days 25-26:

Cruise around Lake Inle by boat. Immerse yourself in the local culture and capture the iconic fishermen in action.

Days 27-28:

Visit Mandalay to experience city life from a Burmese perspective.

Days 29-30:

Return to Yangon for a final exploration before flying home.

Days 1-2: Arrival in Yangon

Myanmar's largest city is a bustling hub filled with shops, activities, and incredible food. The rapid development of this once-isolated country is evident everywhere you look.

If you are flying internationally:
Yangon will most likely be the cheapest and most easily accessible destination to begin the trip.

If you are coming from Thailand:
I would recommend altering the itinerary and going straight to Myeik via land border then working your way up the country from there.

Bogyoke Aung San Market

If shopping is your thing, this place is a haven for local treasures. Hundreds of stalls line the market and surrounding alleyways containing everything from art, sculptures, jewelry, antiquities, and fabrics. I spent a few hours here before jumping onto the nearby circular train for a loop around the city. There are a few small shops to get a bite to eat if you are hungry.

Remember that this itinerary will land you back in Yangon at the end of the trip if you see something you want to buy and don’t feel like lugging it around for a month.

Yangon Circular Train

Easily one of the most fascinating experiences of the trip is riding the Yangon Circular Train around the city for a true look at how the locals live. The train is old, slow, and packed with locals commuting to and from work. The doors are wide open, allowing you to hang your feet outside and soak in all of the sights afar. This is one of the best ways to get a true glimpse into the culture and day-to-day life of the Burmese people.

Be sure to speak with a train operator before getting on to make sure the entire loop is operational. When I went, construction stopped the train about 45 minutes into the loop, forcing us to get a taxi back to the downtown area. The full loop will take over 2 hours to complete. On the train, you can find vendors and hawkers selling little things such as water, nuts, and fruit. I’d suggest eating before jumping on.

Shwedagon Pagoda

Upon walking up the steep and lengthy stairway to the Shwedagon Pagoda lies Yangon’s most famous attraction. The 99-meter gold-coated pagoda can be seen all around the city but is best enjoyed up close. This is a must-visit during your time in the capital. I went about an hour before sunset and stayed well into the night. Sunset from the hill it sits atop is spectacular, and the contrast of the pagoda between day and night is striking.

Make sure to bring socks and a bag, as shoes are not allowed, and you will need to carry them or leave them at the door. After visiting, you can take a short walk to the Sky Bar in the Yangon International Hotel overlooking the pagoda. This is a wonderful place to enjoy a nice dinner and drink, ideal for soaking up more of that luxurious golden pagoda.

Day 3: Bus to Myeik

The longest stretch of the trip—but well worth the sights to come. I took a 22-hour overnight bus and opted for the slight upcharge to take the VIP bus. This option is absolutely worth it. Equipped with A/C, comfortable reclining seats, and stops for three meals, it was a cheaper alternative to the costly domestic flight from Yangon and allowed me to see much more of the country.

I had a surprisingly good sleep and would do it again in a heartbeat. You can also fly directly to Myeik, but flights are infrequent and considerably more expensive. The bus I took arrived in Myeik around noon the next day, leaving me plenty of time to check into the hotel and wander around the city a bit before sunset. There weren’t many buses heading down here, so I’d recommend checking for tickets as early as possible when you arrive in Yangon. Alternatively, if you’re coming from Thailand, you can rearrange the itinerary and begin your Myanmar trip in Myeik by crossing from Thailand via bus at the land border.

Days 4-8: Island Hopping in Myeik

The city of Myeik has no accessible beaches, so you’ll need to book an island-hopping tour to fully appreciate the surrounding Mergui Archipelago. While the city itself doesn’t offer much in terms of entertainment, the beaches and crystal-clear waters you’ll encounter on an island-hopping tour are truly unparalleled. Your trip to Myeik will be unforgettable and is an experience you shouldn’t miss.

There are several travel companies offering island-hopping tours, ranging from single-day trips to 14-day excursions. While you can book ahead, I found it quite easy to arrange a trip through an agency in the city. I opted for a three-day, two-night tour with Life Seeing Tours, and it was fantastic. They provided food, tents, and transportation—just bring a swimsuit and a change of clothes, and you’re ready to spend a few nights exploring the islands.

Day 9: Bus to Dawei

Another travel day! This time, you’ll take a shorter bus ride heading north to Dawei. The journey takes about six hours, and tickets can be purchased from one of the travel agencies in Myeik. From what I gathered, there’s only one bus per day on this route, and it departs early in the morning.

Be prepared to wake up around 4 AM and make your way back to the same bus station where you arrived. It’s a good idea to arrange transportation to the station the night before—your hotel can help you book a ride for that morning.

Days 10-13: Motorcycling the Dawei Peninsula

Dawei boasts some of the most stunning coastlines and beaches in the country. While most of these beaches are only accessible by motorcycle, there are a few small bed-and-breakfast-style accommodations at the southern end of the peninsula that offer direct beach access.

If you’d prefer not to travel 2–3 hours each day from the city, I recommend staying in that area. You can rent a motorcycle from several places in the city and ride down to the B&Bs near the beaches for an overnight stay. This approach lets you enjoy the remote, lush, and scenic motorcycle journey while avoiding the daily commute to the beaches.

Grandfather Beach

Surrounded by mountains and vibrant orange dirt, getting here can be a bit tricky. You’ll need to navigate a steep, loose hill to reach the area. I recommend arriving near low tide, as the beach and surrounding shops flood around noon, making the descent a wet and challenging experience. Be prepared to remove your shoes and walk through knee-deep water to access the beach. This is one of the more popular spots for locals and was among the few beaches I visited that actually had people.

Tizit Beach

When we arrived at Tizit Beach, there was no one else around except for the locals. The sand here is soft, and the ocean is pristine. A motorcycle is necessary to access this beach, but the breathtaking views from the mountain pass make the journey entirely worthwhile. The sand near the shore is firm enough to ride on, creating unforgettable moments of cruising along the beach at sunset.

Day 14: Bus to Hpa An

One of the shorter bus rides on this trip, the fare is around $20, and it takes approximately 5 bumpy hours. Once you arrive in Hpa An, there are plenty of hostels and hotels to choose from. I booked mine on Hostelworld the night before, but you should have no trouble finding a place to stay on the day of your arrival if needed.

Days 15-18: Hpa An: Farmland, Caves, and Mountains

Hpa An offers a stark contrast to the beaches and cities encountered so far on the trip. Surrounded by towering limestone mountains and lush green farmland, the region has a peaceful, rural charm. There are several caves, lakes, and one of my favorite sunrise hikes of the journey.

While I have a few recommendations and must-visit spots, Hpa An is best explored without a strict plan. A central theme of this trip has been the freedom of hopping on a motorcycle and riding wherever your heart desires.

Mount Zwegabin Sunrise Hike

Hiking Mount Zwegabin for sunrise is a must-do during your time in Hpa An. The mountain is located a short ride from town, about 40 minutes by motorcycle. The hike to the summit took around 35 minutes at a brisk pace, so you’ll need to leave around 4 AM to catch the sunrise, depending on the season. The highlight of the hike is the final ascent up the floating stairs to reach the peak. Be sure to have your camera ready and take in the breathtaking views.

Kyauk Kalat Pagoda

This is one of those places that leaves you in awe, wondering how such a unique landscape can exist. Easily one of the most unusual rock formations I’ve encountered, it’s a fantastic spot to watch the sunset. A winding staircase leads up the rock to the top of the temple, making it a great place to spend a couple of hours.

Saddar Cave

Filled with bats, stunning limestone formations, and statues, this short cave walk provides a refreshing escape from the heat. The path takes about 20 minutes to explore, leading to a beautiful lake at the back. Grab a drink, relax for a while, and take a small paddle boat back to the entrance for a memorable experience.

Day 19: Bus to Bagan

A travel day heading north. This part of the trip is hot, bumpy, and slow, so be prepared for a longer journey than expected. Bagan has plenty of hotels and hostels, but I’d recommend booking accommodations in advance, as it’s a popular tourist destination. You’ll need to purchase an entry ticket for the area, as it’s a protected national park, but the bus driver should assist in sorting it out before you enter the park.

Days 20-23: Chasing Pagodas in Bagan

Once you’ve settled into your accommodation in Bagan, the best way to explore the vast area is by pedal bike or scooter. All the scooters available for rent are electric, helping to reduce noise pollution—a refreshing change from the loud gas-powered vehicles you’ll be used to from the first half of your trip. There’s no right or wrong way to experience Bagan. The park is enormous, with thousands of pagodas scattered throughout. Most of them are open for exploration, with a few offering rooftop access (though that is being restricted more recently).

You could spend weeks here and still not see all the pagodas up close. Bagan is divided into a new town and an old town—most of the backpacker-friendly hostels are located in Old Town. You’ll find a handful of restaurants, but I often ate at my hostel or from local food carts. Several hostels and hotels offer outdoor pools, which are a great perk, especially depending on the time of year you visit. I highly recommend simply wandering the area freely, but here are a few top pagodas and experiences not to miss during your time in Bagan.

Hot Air Ballooning

The top attraction in Bagan is undoubtedly the daily hot air balloon tours. Almost everyone who experiences it claims it’s a must-do. I chose to watch from the ground, as the cost of a tour is quite expensive. If you decide to go for it, be sure to set aside a few hundred USD for the trip. From what I’ve heard, you’ll wake up around 4:30 AM and head to the take-off location, returning by around 9:00 AM.

Sunset Boat Cruise

Be sure to spend at least one evening on a slow cruise down the Ayeyarwady River. It’s a wonderful way to enjoy distant views of some of the pagodas and relax after a long day of exploration. Several companies offer these cruises at very affordable prices. Our boat included snacks, drinks, and even alcohol. The trips range from half an hour to two hours. Book through your hotel for convenience.

The Big Three Temples

With over a thousand pagodas to explore in Bagan, there are three main structures that hold significant importance to locals: Shwesandaw, Thatbyinnyu, and Shwezigon. Be sure to make time to visit these iconic pagodas during your trip—you’re likely to come across them without even trying.

Day 24: Bus to Kalaw

Long-distance buses run the route multiple times a day, with the overnight option being the most popular. I recommend checking with a travel agent in Bagan to book your tickets before heading to the bus stop

Day 25-26: Relaxing at Lake Inle

These two days take us to the stunning Lake Inle, located just outside the city of Kalaw. Unfortunately, I wasn’t able to make it to Lake Inle during this trip, but everyone I spoke to highly recommended not missing it. The lake is known for its breathtaking scenery, traditional Intha stilt houses, and the unique leg-rowing fishermen.

From what I’ve heard and seen through photos, the calm waters, floating gardens, and vibrant markets make Lake Inle a truly unforgettable destination. Huge thanks to my friend Toby for sharing those beautiful pictures and giving me a glimpse of what I missed!

Day 27-28: Mandalay City

Mandalay is a fast-paced city with less tourism compared to other parts of the country. It offers a fascinating glimpse into the daily lives of the Burmese people, away from the crowds typically found in Yangon. There are several culturally significant monasteries and temples within the city limits, as well as vibrant markets perfect for shopping and exploring. Mandalay Hill is a great spot for a brisk hike and offers stunning views of the city and sunset on one of your nights. You could also visit the Mandalay Marionettes Theater to catch a local show showcasing Myanmar’s rich history and culture.

As for me, I mainly wandered the city without specific destinations in mind. Since this is the last stop before returning to Yangon, you might not feel as inclined to spend too much time here, but there are definitely some interesting sights worth exploring.

Day 29-30: Return to Yangon

The final two days of the trip are a return to where it all began. The bus from Mandalay to Yangon takes about 8 hours. Alternatively, Mandalay has a large international airport if you prefer to fly, depending on your next destination.

If you return to Yangon, you’ll have plenty of time to revisit the markets and pick up any final souvenirs or trinkets you might want to take home. Enjoy these last couple of days, savor some delicious food, and take the time to reflect on the incredible month of experiences you’ve had.

Concluding Thoughts

Your month-long journey through Myanmar is bound to be an unforgettable adventure, filled with stunning landscapes, rich culture, and warm hospitality. From the serene beaches of Ngapali to the ancient wonders of Bagan, and the tranquil beauty of Lake Inle to the bustling streets of Yangon and Mandalay, each destination offers its own unique charm and insight into Myanmar’s diverse culture.

The highlights of your trip—exploring historic pagodas, witnessing breathtaking sunrises, and embracing the freedom of riding a motorcycle—are sure to stay with you. Myanmar’s blend of natural beauty, vibrant traditions, and friendly locals makes every moment special. Despite the occasional long and bumpy journeys, the sense of discovery and connection with the people and places makes the experience truly worthwhile.

As you reflect on your journey, you’ll likely feel grateful for the memories, experiences, and the chance to explore a country that feels both timeless and unique. Myanmar’s beauty lies not just in its landscapes but in the people who call it home. You’ll leave with a deeper appreciation for the warmth and resilience of its people and a desire to return and explore even more of this enchanting land.

Update: Unfortunately as of this time (June 2021) Myanmar is experiencing major political and civil unrest. Taken from the advice of friends on the ground there— I can not recommend traveling to Myanmar at the time of writing. Pray for Myanmar!

Update 2: The political situation in Myanmar has escalated (July 2022). Travel is still not recommended.

Update 3: As of 2025, some tourists have reported that travel is doable. However many governments still have do not travel advisories. DYOR.

Other Myanmar Guides:

The Top 3 Hidden Beaches of Myanmar: A Guide to Tizit, Grandfather, and Mergui

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Originally Published June 15, 2021. Edited with Nostr friendly images on 1/5/2025